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Books In Sync Recognizes Author Carole M. Lidgold

Author Carole M. Lidgold (nee Thomas) was born in Toronto, is married, mother of two, grandmother of two, and attended Winston Churchill High School in Scarborough. She inherited her voice from her grandfather and father, and has sung in The Canada Life Choralaires, various church choirs and has been a member of the Serenata Singers for eleven years. Carole is the author of The History of The Guild Inn and has eight other self-published books. She tried politics but lost out and has since worked as a secretary, currently retired as a church secretary.

Featuring: Birds On My Brush by Carole M. Lidgold – In April 1763, unknown artist and naturalist, Elizabeth (nee Symonds) Gwillim was born in England. She accompanied her husband, Henry, to Madras, India, in the 1800s, where she died in 1807. In London, England, in 1924, a Dr. Casey Wood, surgeon and ornithologist, discovered in an ‘out of the way shop of arts’, Elizabeth Gwillim’s watercolour paintings. Today, 2009, these painting, painted two decades before Audubon published his illustrious Birds of America, are part of the Blacker-Wood collection of Zoology and Natural History, at McGill University, Montreal, Quebec. Prints of several of her painting of India’s birds are included in this novel.

About The Story: Birds On My Brush is a novel based on the few known facts of the life and untimely death of Elizabeth Gwillim. My character, Sarah Purcell, was born in the spring when birds were chirping the birth of their new offspring. As a child, and later as and adult, Sarah was obsessed with sketching precise details of the birds. She married William Cantwell, a barrister determined to live in the land of his boyhood hero, Robert Clive, and English hero in India’s development. Sarah’s younger sister, Rose Purcell, accompanied them on this journey. Rose’s tortured dream of death in India hampered her enjoyment of this new life.

Birds on My Brush Book Review: A compelling account of an unknown artist’s life!

The life and times of 18th-century wildlife artist Elizabeth Gwillim are shrouded in mystery and uncertainty. She was born in England in 1763 and moved to India with her husband in the early 1800s, where she worked diligently to perfect her art.

She never achieved public recognition in her lifetime and she died, an obscure, undiscovered artist, in her mid-40s; it appeared, for the longest time, as though her art may have gone to the grave with her.

Nearly two centuries later, Gwillim’s wildlife watercolours were “discovered” in a London, England art shop. Today, in death, Gwillim has achieved what she could not in life; her wildlife art, notably her precision sketches of birds, has been widely praised as among the finest of its era. Gwillim’s work now forms part of the Blacker-Wood Collection of Zoology and Natural History at McGill University in Montreal, one of Canada’s pre-eminent schools of higher learning.

Carole M. Lidgold, a Canadian writer fascinated with Gwillim’s life and art, has painted a fascinating portrait of Gwillim’s life in her new, fact-based fictional novel entitled Birds on My Brush. Lidgold has taken what is known of Gwillim’s history and has built around the edges, crafting a fully-realized novel from the sketchy framework of Gwillim’s remarkable life.

She has created a lead character, Sarah Purcell, utilizing the Purcell character as a standin for Gwillim, and producing a sweeping, engrossing tale that lovers of art and history will find both hugely enjoyable and dramatically memorable.

The story covers the artist’s life from the early years in England, through the productive artistic period in India, to the point of the artist’s comparatively early death. Along the way, this much is made very clear: author Lidgold’s fascination with Gwillim’s life and artwork shines brightly throughout the novel’s 280 pages. A particular bonus for readers is that Birds on My Brush offers up not only some factual context of the details of Gwillim’s life, but also some representative samples of her artistic work.

Lidgold is an accomplished writer, whose stories typically brim with life and vitality. Birds on My Brush offers something beyond that – an historic and artistic integrity that takes readers well back in time to contemplate the challenging life of an artist who produced first-rate work, but couldn’t break out from the prison of artistic obscurity.

The novel is a well-constructed triumph. It is a triumph that the artist herself could imagine only in her dreams.

Reviewed By Anonymous Reader

Book Details:

Paperback: 280 Pages

Publisher: Self-Published (April 17, 2009)

Language: English

ISBN-10: 0968938116

ISBN-13: 978-0968938119

Genre: Fiction

Print List Price: $16.95

Purchase Directly From Author: (Use Pay Pal Button On The Webpage or Email Author):

http://www.booksinsync.com/authordirectory/lidgoldcarolem.html

Books by Carole M. Lidgold

History:

The History of the Guild Inn – ISBN: 0-9698244-8-3

Memories of Cayuga: Ontario’s Love Boat – ISBN: 0-9698244-2-4

Steamship Cayuga: Toronto’s Ship of Romance – ISBN: 0-9698244-3-2

Fiction:

Faces of the Night – ISBN: 0-9698244-5-9

Birds on My Brush – ISBN: 9780968938119

Children:

The Adventures of Inch Worm Willie – ISBN: 0-9698244-4-0

The Elf Who Made Snowflakes – ISBN: 0-9698244-6-7

Daisy Dee’s Party – ISBN: 0-9698244-7-5

(All of Carole’s children’s books are fun stories for children of all nationalities, from picture book to story. All three children’s books have pen and ink sketches with a colored laminated cover to withstand constant reading.)

Poetry:

Journey Into Christmas – ISBN: 0-9698244-0-8

Submitted by: Books In Sync

 

Why Only One Out of Thirty-Three People Read Books

It happens every spring, but this year, the questioning has been particularly intense. Every month of April, on occasion of the London Book Fair, newspapers publish articles speculating if it still makes sense to publish books.

At the turn of the century, one thousand book titles were published for every feature-length movie made. Today, the ratio is one to six hundred. The number of movies produced every year has increased and, at the same time, the number of published books has diminished.

“We live in a visual world,” sociologists argue. “In many areas, the written word is becoming a relic of previous centuries.” Media analysts blame the trend on video-games and portable DVD players. Others simply say that reading requires too much effort after our long work schedules.

In my view, those commentators are missing the point completely. Despite the abundance of cheap visual entertainment, readers’ motivation remains strong. The reason why people read books has nothing to do with the demands of society and everything to do with individual psychology.

1.- MINORITY VIEWS: Visual media, due to its structure and economics, is unable to express minority views in a consistent, intellectual manner. In this respect, all has been tried and all has failed. Complex ideas cannot be transmitted without the written word. No photograph and no movie can replace a chain of reasoning built in clear sentences.

2.- DIVERSITY: Films, television, and radio, despite the growing number of channels, can only thrive when they aim at large audiences. They can offer multiplicity in the multitude, but no original ideas. Digital video has reduced the budget necessary to make a movie, but not the distribution costs. Actors, good lighting, and a decent soundtrack are still expensive. Books, on the other hand, can still be published and distributed cheaply.

3.- FRESH IDEAS: In a movie, special effects cannot cure the problems of a weak scenario. Even great acting is unable to sustain a filmed story that doesn’t make any sense. How long ago is it since you saw a really thought-provoking movie? How often do you gain deep insights from watching television? The written word remains the ideal means to transmit innovative ideas.

The good news about reading is that three per cent of the population still remain avid readers. One out of thirty-three is not a bad proportion at all. A strong audience for writers is still there and it is not going to become smaller in the foreseeable future.

Do people read internet blogs for the same reason that they love books? Is it because they want to read original ideas? Do they do it in order to enjoy some fresh writing?

I suspect that, for most, the main drivers are the joy of discovering something new and a steadfast refusal to join the other thirty-two.

JOHN VESPASIAN writes about rational living. He has resided in New York, Madrid, Paris, and Munich. His stories reflect the values of entrepreneurship, tolerance, and self-reliance. See John Vespasian’s blog about rational living.

http://johnvespasian.blogspot.com/

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